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Christmas · Christmas Eve · Year A

Isaiah 7:10-14

The Sign of Immanuel

Madonna del Parto, Piero della Francesca
Madonna del Parto, Piero della Francesca, about 1455Museo della Madonna del Parto, Monterchi
Two angels in green and red pull back the sides of a brocade tent. Inside it a young woman stands alone in a plain blue dress, visibly pregnant, with one hand resting on her side and the other at the seam of the dress where it has been unlaced to make room.Therefore the Lord himself will give you a sign. Look, the young woman is with child and shall bear a son, and shall name him Immanuel.Piero della FrancescaPiero della Francesca, who painted this in a country chapel near his mother’s village and made the most ordinary thing in the world look like an announcement.Museo della Madonna del Parto, MonterchiThe Museo della Madonna del Parto at Monterchi in Tuscany.Museo della Madonna del Parto, Monterchi

Overview & Insights

“Behold, the virgin shall conceive and bear a son.” (Isaiah 7:14)

The setting is the Syro-Ephraimite crisis of about 734 BC, with Damascus and Samaria allied against Judah and Ahaz weighing an appeal to Assyria. Isaiah offers him a sign of any dimension, from Sheol to the heights, and Ahaz refuses with a show of piety, declining to put the Lord to the test (v. 12), which in context is evasion rather than reverence. The sign is given regardless, and it is addressed to the house of David rather than to the king alone. The Hebrew almah denotes a young woman of marriageable age and does not itself specify virginity; the Greek translators chose parthenos, and Matthew 1:23 follows them. Within Isaiah the sign is double-edged, since the child’s growth in vv. 15-17 measures the short time before the land is stripped. The name Immanuel returns twice in the next chapter (8:8, 10), where God’s presence is ominous as well as consoling.

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