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Christmas · Year A

Christmas Dawn

The Adoration of the Shepherds, Andrea Mantegna
The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450The Metropolitan Museum of Art, New York
Mary kneels over the child in a rocky landscape while Joseph sleeps and two rough shepherds hurry in to worship.So they went with haste and found Mary and Joseph, and the child lying in the manger.Andrea MantegnaA painter of Padua and Mantua, one of the great masters of the early Italian Renaissance.The Metropolitan Museum of Art, New YorkThe Metropolitan Museum of Art in New York, one of the largest art museums in the world.The Metropolitan Museum of Art, New York

Overview & Insights

“But Mary treasured all these words and pondered them in her heart.” (Luke 2:19)

Christmas Dawn takes up the narrative where the midnight gospel leaves off; the bracketed verses are offered for congregations who have not heard the earlier part. The appointed section is almost entirely verbs of motion and speech: the shepherds say to one another, go, find, make known, and return glorifying and praising. Luke gives the first Christian proclamation to laborers on a night shift, and gives it before any apostle speaks. The sign they were promised (v. 12) is conspicuously unremarkable, a child lying in a feeding trough, and it is exactly that which they verify (v. 16), so the confirmation of the angelic announcement is the ordinariness of what it described. Against their speech Luke sets Mary’s silence, using a participle that means putting things together, the work of assembling a meaning out of events not yet understood; he repeats the observation after the episode in the temple (2:51).

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