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Easter Season · Fifth Sunday of Easter · Year A

Psalm 33:1-2, 4-5, 18-19 (22)

The Word That Made the Heavens

King David Playing the Harp, Gerard van Honthorst
King David Playing the Harp, Gerard van Honthorst, 1622Centraal Museum, Utrecht
Honthorst learned his candlelight in Rome from Caravaggio's followers, and the Dutch called him Gherardo delle Notti for it. Here the light comes off the harp itself.Praise the Lord with the lyre; make melody to him with the harp of ten strings. Sing to him a new song.Gerard van HonthorstA Utrecht painter (1592-1656) who went to Rome, learned Caravaggio's night lighting there, and brought it home. The Italians called him Gherardo delle Notti, Gerard of the Nights.Centraal Museum, UtrechtThe oldest municipal museum in the Netherlands, and the home of the Utrecht Caravaggisti who brought Italian night-lighting north.Centraal Museum, Utrecht

Overview & Insights

“The earth is full of the steadfast love of the Lord.” (Psalm 33:5)

Psalm 33 is a hymn of praise and one of the few psalms in Book I to carry no superscription in the Hebrew, which has led some to read it as a continuation of Psalm 32. Its shape is tidy: a call to praise on stringed instruments (vv. 1-3), grounds for praise in creation by word (vv. 4-9) and in providence over the nations (vv. 10-19), and a closing act of trust (vv. 20-22). The creation lines, where the heavens are made by a word and the waters gathered into a storehouse, retell Genesis 1 in poetry, and the assertion that no king is saved by the size of his army (v. 16) is the political edge of that doctrine. The lectionary binds three moments together: the summons to the upright, the earth full of the Lord’s hesed, and the eye of the Lord fixed on those who fear him, with the antiphon drawn from the final verse.

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Take it further: Psalm 33:1-2, 4-5, 18-19 (22)

Commentary

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