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Easter Season · Year A

Seventh Sunday of Easter

La Priere Sacerdotale (The Priestly Prayer), Eugene Burnand
La Priere Sacerdotale (The Priestly Prayer), Eugene Burnand, early 20th centuryWikimedia Commons
A Swiss painter best known for the disciples running to the tomb, here painting the prayer in the upper room with the faces doing the work.It is John 17, the prayer Jesus prays out loud while the disciples listen.Eugene BurnandA Swiss painter whose Disciples Running to the Tomb is among the most reproduced religious paintings of its century.Wikimedia CommonsNo holding institution is recorded with the image; it is known from the public domain reproduction.Wikimedia Commons

Overview & Insights

“Now this is eternal life, that they should know you, the only true God, and the one whom you sent, Jesus Christ.” (John 17:3)

The farewell discourse ends not in instruction but in prayer, spoken aloud with lifted eyes (v. 1), and since the sixteenth century this chapter has been called the high priestly prayer. “The hour” that the Gospel has been deferring since Cana (2:4) has now arrived, and the first thing asked is glory, a word this passage uses in nearly every verse. Verse 3 supplies the Gospel’s only definition of eternal life, and it is relational rather than temporal: to know, in the Hebrew sense of acknowledging and being bound to. The double name at its end, “Jesus Christ,” is odd on Jesus’ own lips, and many readers hear the evangelist’s voice surfacing in his character’s. Verse 5 asks for the return of a glory held before the world existed, so the prayer looks backward past creation as well as forward past the cross. The Roman rite cuts at v. 11a, keeping the petition for unity for Year B.

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