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Easter Season · Year A

Seventh Sunday of Easter

La Priere Sacerdotale (The Priestly Prayer), Eugene Burnand
La Priere Sacerdotale (The Priestly Prayer), Eugene Burnand, early 20th centuryWikimedia Commons
A Swiss painter best known for the disciples running to the tomb, here painting the prayer in the upper room with the faces doing the work.It is John 17, the prayer Jesus prays out loud while the disciples listen.Eugene BurnandA Swiss painter whose Disciples Running to the Tomb is among the most reproduced religious paintings of its century.Wikimedia CommonsNo holding institution is recorded with the image; it is known from the public domain reproduction.Wikimedia Commons

Overview & Insights

“Holy Father, protect them in your name that you have given me, so that they may be one, as we are one.” (John 17:11)

The prayer that closes the farewell discourse falls into three movements: for himself (vv. 1-5), for the disciples with him (vv. 6-19), and for those who will believe later (vv. 20-26). This reading covers the first and the beginning of the second. Its governing vocabulary is glory, used so insistently in the opening verses that the request and its ground become hard to separate, and the tenses are startling: the work is spoken of as finished (v. 4) before the arrest has happened. From v. 6 the subject is the divine name, revealed to the disciples and now entrusted as the thing they are to be kept in, which reaches back to the disclosures of Exodus 3:14-15. Unity is named as the goal, and it is defined by analogy rather than by structure. Read on the Sunday after Ascension, v. 11 is heard almost as commentary on the day: I am no longer in the world, but they are, and I am coming to you.

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