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Epiphany Season · Year B

Epiphany of the Lord

Adoration of the Magi, Sandro Botticelli
Adoration of the Magi, Sandro Botticelli, c. 1475Uffizi Gallery, Florence
Painted for a Florentine banker who filled it with Medici portraits: three generations of the family kneel as the magi. Botticelli put himself at the right edge, looking out.It is Matthew 2, with the wise men given the faces of the richest men in Florence, which is either flattery or a comment.Sandro BotticelliA Florentine painter of extraordinary line, who fell under Savonarola's influence late and reportedly burned some of his own work.Uffizi Gallery, FlorenceBuilt as Medici offices, hence the name, and turned over to the family's art collection, which was left to the city on condition it never leave.Uffizi Gallery, Florence

Overview & Insights

“We saw his star when it rose and have come to worship him.” (Matthew 2:2)

Matthew contrasts Jesus’ identity as the Messiah—the true King who enacts Israel’s return from exile—with Rome’s client-king, Herod, affirming Jesus’ identity through Old Testament testimony, God’s protection, and worship of Jesus by the Gentile magi.

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Take it further: Matthew 2:1-12

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Why is the visit of the Magi the feast of Epiphany?

Gentile wise men follow the star to Bethlehem and worship the child with gold, frankincense, and myrrh, the first sign that the Savior is manifest to all nations.

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