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Easter Season · Second Sunday of Easter · Year C

Psalm 118:14-29 or Psalm 150

The Stone the Builders Rejected

Angel Musicians, Gaudenzio Ferrari
Angel Musicians, Gaudenzio Ferrari, c. 1535Santa Maria dei Miracoli, Saronno
A cupola at Saronno crowded with angels playing more than fifty different instruments, painted so accurately that it is used as evidence for how Renaissance instruments were held.Praise him with trumpet, lute and harp: the psalm lists instruments, and Ferrari answers with every one he could find.Gaudenzio FerrariA painter and sculptor of Lombardy (c. 1471-1546), who worked on the great pilgrimage sites of the Alpine foothills and is valued now as much by musicologists as by art historians.Santa Maria dei Miracoli, SaronnoA pilgrimage sanctuary north of Milan, whose domes were frescoed by Gaudenzio Ferrari and Bernardino Luini.Santa Maria dei Miracoli, Saronno

Overview & Insights

"The stone that the builders rejected has become the chief cornerstone." (Psalm 118:22)

The psalmist testifies that the Lord has become salvation and strength after chastening, turning what was rejected into the very cornerstone of a new day the Lord has made. The psalm closes as it began, calling the assembly to give thanks because God's steadfast love endures forever.

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Take it further: Psalm 118:14-29 or Psalm 150

Commentary

The Church Fathers

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