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Easter Season · Second Sunday of Easter · Year C

John 20:19-31

Jesus Appears to His Disciples

Appearance Behind Locked Doors (Maestà), Duccio di Buoninsegna
Appearance Behind Locked Doors (Maestà), Duccio di Buoninsegna, 1308–1311Museo dell'Opera del Duomo, Siena
One of the small narrative panels from the back of Duccio's Maestà, the altarpiece carried through Siena in procession in 1311. The door is painted shut and bolted, and Christ is simply inside.The doors being locked is the detail John insists on, and Duccio painted the bolt.Duccio di BuoninsegnaThe founder of Sienese painting, who kept the gold and the Byzantine patterns while letting real feeling into the faces.Museo dell'Opera del Duomo, SienaThe cathedral's own museum, built into an unfinished nave, where Duccio's Maestà has been kept since it was taken off the altar.Museo dell'Opera del Duomo, Siena

Overview & Insights

“My Lord and my God!” (John 20:28)

The scene shifts from the tomb in the garden to a locked room somewhere in Jerusalem, and from “early on the first day of the week” (v. 1) to the evening of that first day of the week (v. 19). Despite the faith of the beloved disciple (v. 8) and despite the message brought by Mary Magdalene (v. 18), the disciples as a group are still afraid. Their reaction to her message is not recorded in John’s Gospel, but another tradition appended to Mark by later scribes states that after Mary had seen Jesus she “went and told those who had been with him” and found them “mourning and weeping. When they heard her say that Jesus was alive and that she had seen him, they did not believe it” (Mark 16:10; cf. the apostles’ reaction to the report of the women who had seen the angels at the tomb according to Luke 24:11).

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What happens when Jesus appears to the disciples?

The risen Jesus comes through locked doors, gives them peace and the Holy Spirit, and a week later invites doubting Thomas to touch his wounds; Thomas confesses him Lord and God.

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