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Easter Season · Year A

A Fifth Reading Easter Vigil

The Crossing of the Red Sea, Agnolo Bronzino
The Crossing of the Red Sea, Agnolo Bronzino, 1541–42Palazzo Vecchio, Florence (Wikimedia Commons)
A fresco in Eleanor of Toledo's private chapel in the Palazzo Vecchio, painted in the cold bright colours and twisting nudes of Florentine mannerism.Then Miriam the prophet took a tambourine in her hand, and all the women went out after her with tambourines and with dancing.Agnolo BronzinoThe Medici court painter, whose portraits are cold, exact and unforgettable, and who wrote poetry as well.Palazzo Vecchio, Florence (Wikimedia Commons)Florence's town hall since the Middle Ages, with a private chapel frescoed by Bronzino for the duchess.Palazzo Vecchio, Florence (Wikimedia Commons)

Overview & Insights

“The Lord will fight for you, and you have only to be silent.” (Exodus 14:14)

These verses introduce the next major section (13:17–15:21) that takes the Israelites to the wilderness by way of the sea. We return to the story of the exit from Egypt with three brief notes. First, we look ahead to the geographical route. Next, we look back in history to an oath made about Joseph. Then we are brought up to date on a new manifestation of the Lord’s presence in cloud and fire. The first note (vv. 17–18) concerns the route to the sea. The name God occurs for the first time since Exodus 10, reminding the reader that “the LORD” who had been close at hand in Egypt was still “God” as they leave it. The mentions of Philistine country and facing war were ominous in the ancient historical setting. Newly liberated slaves with their families were not prepared for this, though they would face it soon enough (17:8). The Lord’s first concern was that they would not change their minds and return to Egypt.

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Take it further: Exodus 14:10-31; 15:20-21

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