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Easter Season · Year A

Easter Sunday of the Resurrection of the Lord

The Two Disciples at the Tomb, Henry Ossawa Tanner
The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906Art Institute of Chicago
Peter and John stand at the mouth of the tomb in the dawn light: the young John leans forward, lit full in the face, and the older Peter holds a hand to his chest behind him.Then the other disciple, who reached the tomb first, also went in, and he saw and believed; for as yet they did not understand the scripture, that he must rise from the dead.Henry Ossawa TannerAn American painter, son of a bishop of the African Methodist Episcopal Church, who settled in France and painted biblical subjects in a quiet, inward light.Art Institute of ChicagoThe Art Institute of Chicago, one of the oldest and largest art museums in the United States.Art Institute of Chicago

Overview & Insights

“He saw and believed.” (John 20:8)

John’s account opens before dawn, “while it was still dark” (v. 1), and closes before anyone has seen the risen Jesus: the Roman rite stops the reading at v. 9, so the gospel of the day Mass rests on an empty space and the inference drawn from it. The footrace of Peter and the disciple whom Jesus loved (vv. 3-4) has long been read as a quiet comment on the standing of the two figures, the younger arriving first but yielding precedence at the entrance. The detail carrying the weight is the burial linen: the cloths lying flat and the head covering “rolled up in a separate place” (v. 7). Lazarus had come out still bound hand and foot (John 11:44); here the wrappings are left behind. Verse 8 reports that the disciple saw and believed, and verse 9 is candid about what that belief still lacked, an understanding of the scripture. The Matthean alternative supplies what John withholds, an encounter on the road.

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