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Easter Season · Easter Sunday of the Resurrection of the Lord · Year A

Afternoon or evening Mass: Luke 24:13-35

On the Road to Emmaus

The Road to Emmaus, Altobello Melone
The Road to Emmaus, Altobello Melone, c. 1516–17The National Gallery, London (Wikimedia Commons)
A north Italian painting in which Christ is dressed as a contemporary pilgrim in a feathered hat, so that the two disciples' failure to recognise him looks entirely reasonable.Their eyes were kept from recognising him. Melone painted the disguise rather than the revelation.Altobello MeloneA painter from Cremona who absorbed Giorgione and Dürer and worked in a nervous, sharply lit manner of his own.The National Gallery, London (Wikimedia Commons)Founded in 1824 with thirty-eight pictures bought from a banker's estate, and still free to enter, as its founders insisted.The National Gallery, London (Wikimedia Commons)

Overview & Insights

“Did not our hearts burn within us while he talked to us on the road?” (Luke 24:32)

Following the discovery of the empty tomb, Luke’s Gospel records only two occasions (and hints at another one [24:34]) when the risen Jesus appeared to his disciples, both on the evening of Easter day itself, and chapter 24 taken alone would suggest that Jesus’s ascension followed immediately that same night. But Luke will record in Acts 1:3 that in fact Jesus appeared to his disciples frequently over a forty-day period leading up to the ascension, so that the few appearances recorded in his Gospel must be taken as only selected examples. Their interlinking, along with the sequence leading up to the ascension, means that Luke’s postresurrection appearances, unlike those in Matthew and John, occur only in the immediate area of Jerusalem. The return to Galilee (Matt. 28:7, 10, 16–20; Mark 16:7; John 21) falls outside Luke’s deliberately selective scheme.

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