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Easter Season · Year A

Resurrection of the Lord

Christ Appearing to Mary Magdalene ("Noli me tangere"), Southern Netherlandish (possibly Brussels)
Christ Appearing to Mary Magdalene ("Noli me tangere"), Southern Netherlandish (possibly Brussels), 1485–1500Art Institute of Chicago
A Netherlandish panel of the garden meeting, with Christ carrying a spade because she took him for the gardener.Do not hold on to me: the reading is a recognition that is immediately asked to let go.Art Institute of ChicagoFounded in 1879 as both a museum and a school, and the home of American Gothic and of a famous Impressionist collection.Art Institute of Chicago

Overview & Insights

“Jesus said to her, ‘Mary.’ She turned and said to him in Aramaic, ‘Rabboni!’” (John 20:16)

John’s Easter narrative is built from three visits to one tomb. Mary Magdalene comes while it is still dark, sees the stone moved and reports a theft rather than a resurrection (v. 2). The two disciples run, and the beloved disciple, arriving first and entering second, is said to believe on the evidence of the grave cloths alone (v. 8), with the rolled head cloth described in a detail no other Gospel preserves. Recognition then returns to Mary, and it comes by voice rather than by sight, a single name spoken (v. 16), which answers the shepherd’s promise of 10:3. The instruction not to hold on to him (v. 17) turns her commission outward and introduces this Gospel’s distinctive account of an ascent still under way. The alternative from Matthew 28:1-10 substitutes an earthquake, an angel, and a message given on the road.

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