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Easter Season · Easter Evening · Year A

Luke 24:13-49

On the Road to Emmaus

The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez)
The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez), 1622–23The Metropolitan Museum of Art
Velázquez sets the supper behind a serving hatch and gives the foreground to a kitchen maid who has stopped working, head tilted, listening.He was made known to them in the breaking of the bread. Velázquez painted the person who overheard it.The Metropolitan Museum of ArtThe largest art museum in the Americas, founded in 1870 by a group of New Yorkers who wanted one and had no collection to start from.The Metropolitan Museum of Art

Overview & Insights

“Did not our hearts burn within us while he talked to us on the road?” (Luke 24:32)

Following the discovery of the empty tomb, Luke’s Gospel records only two occasions (and hints at another one [24:34]) when the risen Jesus appeared to his disciples, both on the evening of Easter day itself, and chapter 24 taken alone would suggest that Jesus’s ascension followed immediately that same night. But Luke will record in Acts 1:3 that in fact Jesus appeared to his disciples frequently over a forty-day period leading up to the ascension, so that the few appearances recorded in his Gospel must be taken as only selected examples. Their interlinking, along with the sequence leading up to the ascension, means that Luke’s postresurrection appearances, unlike those in Matthew and John, occur only in the immediate area of Jerusalem. The return to Galilee (Matt. 28:7, 10, 16–20; Mark 16:7; John 21) falls outside Luke’s deliberately selective scheme.

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