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Lenten Season · Year A

Annunciation of the Lord

The Cestello Annunciation, Sandro Botticelli
The Cestello Annunciation, Sandro Botticelli, 1489–1490Galleria degli Uffizi, Florence (PD-Art)
The two figures bend towards each other in a single curving movement, hands almost touching, with an empty tiled floor between them and a river landscape beyond.Greetings, favoured one! The Lord is with you: the reading is this exchange, and Botticelli painted the recoil and the consent in one gesture.Sandro BotticelliA Florentine painter of extraordinary line, who fell under Savonarola's influence late and reportedly burned some of his own work.Galleria degli Uffizi, Florence (PD-Art)Built as Medici offices, hence the name, and turned over to the family's art collection, which was left to the city on condition it never leave.Galleria degli Uffizi, Florence (PD-Art)

Overview & Insights

“Behold, I am the servant of the Lord; let it be to me according to your word.” (Luke 1:38)

The mention of “the sixth month” in 1:26, 36 ties this episode in closely with the preceding one (note “five months” in 1:24), and the angel’s news about Elizabeth (1:36) keeps the two angelic announcements closely linked, thus preparing for the meeting of the two pregnant mothers in 1:39–56. The similar announcements to Zechariah and to Mary by the same angelic messenger prepare the reader for the parallel accounts of the births of John and Jesus in 1:57–66 and 2:1–20. But there is also a significant escalation between the two announcements, both in the status of the one to be born (prophetic forerunner as compared with Son of God) and in the scale of the miracle involved (a woman beyond normal childbearing years compared with a virgin without sexual intercourse).

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