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Pre-Lent

Quinquagesima Sunday

Christ Healing the Blind, El Greco
Christ Healing the Blind, El Greco, c. 1570Metropolitan Museum of Art, New York
An early Venetian-period work, set in a deep classical perspective with the healing happening at the front and an argument already breaking out behind.The Lord sets the prisoners free; the Lord opens the eyes of the blind. The Lord lifts up those who are bowed down; the Lord loves the righteous.El GrecoA Cretan icon painter who trained in Venice and settled in Toledo, where he stretched his figures into something no other century has imitated successfully.Metropolitan Museum of Art, New YorkThe largest art museum in the Americas, founded in 1870 by a group of New Yorkers who wanted one and had no collection to start from.Metropolitan Museum of Art, New York

Overview & Insights

“Lord, let me recover my sight.” (Luke 18:41)

As the journey to Jerusalem nears its end, encounters with others on the way illustrate the principle expressed in 18:14b, and in so doing they reveal how far those around Jesus still are from grasping the true nature of God’s kingdom and the necessary pattern of Jesus’s own mission. Their incomprehension focuses especially on the issue of wealth, and thus it provides an opportunity for some far-reaching teaching on this theme, which has been so prominent on the journey (see especially 12:13–34; 14:1–24, 33–34; 16:1–15, 19–31). A final, and more detailed, prediction of the specific fate awaiting Jesus in Jerusalem (18:31–33; cf. 9:22, 44; 12:50; 13:32–33; 17:25) prepares the reader for Jesus’s arrival in the city in chapter 19 and the narrative of confrontation, suffering, death, and resurrection that is to follow.

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Take it further: Luke 18:31-43

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What frames the healing at Jericho?

As Jesus foretells his death and rising for a third time, a blind beggar cries out to the Son of David and receives his sight, following Jesus on the way.

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