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Advent · First Sunday in Advent · Year B

Isaiah 64:1-9

Praise and Prayer

The Creation of Adam (Sistine Chapel ceiling), Michelangelo
The Creation of Adam (Sistine Chapel ceiling), Michelangelo, 1508–1512Sistine Chapel, Vatican
The most reproduced detail of the ceiling. The two hands do not touch, and the cloak behind God has been read for a century as the shape of a human brain.Yet, O Lord, you are our Father; we are the clay, and you are our potter; we are all the work of your hand. Do not be exceedingly angry, O Lord, and do not remember iniquity for ever. Now consider, we are all your people.MichelangeloSculptor first and painter under protest, who spent four years on his back on the Sistine ceiling and produced the most consequential painting in Europe.Sistine Chapel, VaticanThe pope's chapel, where conclaves are held, decorated by Perugino, Botticelli and Ghirlandaio before Michelangelo was ever asked.Sistine Chapel, Vatican

Overview & Insights

“Oh that you would rend the heavens and come down.” (Isaiah 64:1)

As the chiasm in chapters 56–66 treads its return path, the vision of the battling warrior (63:1–6) paired with the one in 59:15b–20. This prayer, then, pairs with the prayer in 59:9–15a. As the new vision was bloodier, the new prayer is much longer and more urgent. It has the features of a lament on the part of the community such as those that appear in the Psalms and in Lamentations, but like some of them (and like chapter 62) it unfolds as more of a stream of consciousness and closes with a question. It does suggest an alternating between confrontation (63:7–14, 17–19; 64:5–7) and plea (63:15–16; 64:1–4, 8–12), but elements of confession, questioning, prayer, appeal, and accusation interweave and repeat without forming a consistent pattern.

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Take it further: Isaiah 64:1-9

Commentary

Background & Word Study

The Church Fathers

Questions preachers ask

What is the cry of Isaiah 64?

It is Advent's deepest prayer: that God would tear open the sky and come. The people confess their sin and appeal to the potter, “we are the clay, and you are our potter; we are all the work of your hand.”

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