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Christmas · The Nativity of Our Lord (Christmas Day) · Year A

John 1:1-14 (15-18)

In the Beginning Was the Word

Christ Pantokrator, dome mosaic, Unknown Byzantine master ("Master of Daphni")
Christ Pantokrator, dome mosaic, Unknown Byzantine master ("Master of Daphni"), c. 1090–1100Monastery of Daphni
In the dome of a Byzantine monastery outside Athens, looking straight down at anyone standing beneath. The face is severe and asymmetrical, and the gold around it is set at angles to catch the light.No one has ever seen God; it is God the only Son who has made him known. The prologue says the invisible has been shown, and this is the oldest answer to what that looks like.Monastery of DaphniAn eleventh-century Byzantine monastery outside Athens, built on the site of a temple of Apollo, with the finest mosaics in Greece.Monastery of Daphni

Overview & Insights

“The light shines in the darkness, and the darkness has not overcome it.” (John 1:5)

Behind the prologue’s Word lie several conversations at once, the creative word of Genesis and the personified wisdom of Israel’s later books, the logos of Stoic cosmology, and the mediating word of Philo, a Jewish contemporary in Alexandria. John’s usage matches none of them exactly, and the decisive difference arrives with flesh. The prologue also lays down the Gospel’s working vocabulary. Light set against darkness is announced at v. 5 and then carried through the narrative (8:12; 12:35-36), and the verb of that verse, katelaben, holds both “overcome” and “grasp”, a doubleness the Gospel exploits. Verse 11 states the plot in advance, that he came to his own and his own did not receive him, while v. 12 makes the alternative a birth owing nothing to blood or human will. The bracketed close sets Moses and the law beside grace and truth without setting them against each other.

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