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Pentecost Season · Pentecost Sunday: Vigil · Year B

Ezekiel 37:1-14 or Joel 3:1-5

Breath Enters the Dry Bones

The Vision of Ezekiel, Francisco Collantes
The Vision of Ezekiel, Francisco Collantes, 1630Museo del Prado
A Spanish Baroque landscape of the valley of dry bones, painted as weather: the bones in the foreground, the storm doing the work, the prophet small and off to one side.It is this reading, and it keeps the prophet small, which is the point the reading makes about who is doing the raising.Francisco CollantesA Madrid painter of the generation around Velázquez, known almost entirely for landscape and for this one visionary subject.Museo del PradoBuilt on the Spanish royal collection, which is why it is unrivalled in Titian, Velázquez, Rubens and Goya and thinner elsewhere.Museo del Prado

Overview & Insights

“I will put my Spirit within you, and you shall live.” (Ezekiel 37:14)

The vision is set in a valley of bones that are not merely dead but long dead, “very dry” (v. 2), and its engine is a single Hebrew word. Ruach runs through the chapter as breath, wind and spirit, so that the summoning of the ruach from the four winds (v. 9) is at once meteorology, respiration and theology. The re-creation happens in two stages, sinew and flesh first and then breath, which follows the order of Genesis 2:7. Verse 11 supplies the interpretation and limits it: the bones are “the whole house of Israel”, and the complaint answered is exile, not mortality. The text nevertheless became the classic resurrection passage in both Judaism and Christianity, and it is painted across a wall of the third-century synagogue at Dura-Europos. The alternative, Joel 3:1-5 in the Hebrew numbering the Lectionary follows (2:28-32 in most English Bibles), is what Peter quotes at Acts 2:17-21.

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