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Easter Season · Third Sunday of Easter · Year A

Luke 24:13-35

Known in the Breaking of Bread

Supper at Emmaus, Caravaggio
Supper at Emmaus, Caravaggio, c. 1601National Gallery, London
The moment of recognition, with one disciple's arms flung wide towards the viewer and a basket of fruit tipping off the edge of the table.Their eyes were opened and they recognised him, and he vanished from their sight. The painting is the half second before the vanishing.CaravaggioThe painter who put street models and raking light into altarpieces, killed a man in a brawl, and changed European painting in under twenty years.National Gallery, LondonFounded in 1824 by buying one banker's collection, and deliberately placed in Trafalgar Square so that people from every part of London could walk to it.National Gallery, London

Overview & Insights

“Were not our hearts burning within us while he was talking to us on the road?” (Luke 24:32)

Only Luke tells this story, and he tells it in the shape of a liturgy. Two travelers rehearse the events, a stranger interprets the scriptures beginning with Moses and all the prophets (v. 27), and then bread is taken, blessed, broken and given (v. 30) in the same four verbs Luke used at the feeding (9:16) and at the supper (22:19). Recognition comes at the table rather than during the exposition, though it was the exposition that made their hearts burn (v. 32). The narrative is careful about sight: their eyes were held (v. 16) and then opened (v. 31), both passive, both God’s doing. Emmaus itself cannot be located with confidence, and the manuscripts disagree over whether it lay sixty or a hundred and sixty stadia from Jerusalem. One of the pair is named Cleopas, otherwise unknown; the other is left anonymous.

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