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Easter · Year A

Third Sunday of Easter

The Supper at Emmaus, Rembrandt
The Supper at Emmaus, Rembrandt, 1648Musée du Louvre, Paris
The moment of recognition at a bare table, with the light coming from behind him and the servant still unaware.When he was at the table with them, he took bread, blessed and broke it, and their eyes were opened.RembrandtRembrandt, who painted this scene again and again and finally made it quiet.Musée du Louvre, ParisThe Louvre, Paris.Musée du Louvre, Paris

Overview & Insights

“Were not our hearts burning within us while he was talking to us on the road?” (Luke 24:32)

The longest of the resurrection narratives is also the one shaped most like a service: scripture expounded on the road, then bread taken, blessed, broken and given (v. 30), the same four verbs Luke used at the feeding of the crowd (9:16) and at the last supper (22:19), and then recognition. He is careful to say that the travelers’ eyes were held shut (v. 16) until that moment, and that he vanished at it, so the story explains how the risen Christ is present to a church that will not see him. Only Cleopas is named; the second traveler has been guessed at for centuries without result. Their summary in vv. 19-24 is the earliest form of Christian disappointment, we had hoped that he was the one to redeem Israel, and the answer they receive is not evidence but interpretation, beginning with Moses and all the prophets (v. 27). The seven-mile walk back to Jerusalem at night measures the change.

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Take it further: Luke 24:13-35

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