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Holy Week · Wednesday of Holy Week · Year A

Psalm 70

Make Haste to Help Me, O Lord

The Agony in the Garden, Giovanni Bellini
The Agony in the Garden, Giovanni Bellini, c. 1465The National Gallery, London
One of the earliest Italian paintings to make dawn light the real subject. The three disciples are asleep in impossible postures while Judas's party comes up the road behind.Be pleased, O God, to deliver me; make haste to help me: Psalm 70 is a short, urgent prayer, and this is a night of them.Giovanni BelliniThe painter who taught Venice to use oil paint and light, and the teacher of both Giorgione and Titian.The National Gallery, LondonFounded in 1824 with thirty-eight pictures bought from a banker's estate, and still free to enter, as its founders insisted.The National Gallery, London

Overview & Insights

“Hasten, O God, to save me; come quickly, Lord, to help me.” (Psalm 70:1)

Psalm 70 is a duplicate of Psalm 40:13–17, with minor variations (see the unit on Ps. 40), and has features of a psalm of lament. Psalms 69 and 70 have common linguistic links (see table 1). It is quite possible that Psalm 69 was written with Psalm 40:13–17 in view in order to make the transition from the lament of Psalm 69 to the hope of Psalm 70. Goldingay observes that the terms of Psalm 70 both reiterate and reinforce the terms of Psalm 69, and he suggests that this reinforcement is the reason for the duplication here of Psalm 40:13–17.1It seems to me that the weight represented by these two psalms is more broadly distributed, stretched out over the cadre of Psalms 69–71. Like Psalm 40–41, that together comprise a conclusion to Book 1, this trilogy of psalms comprises a conclusion to Book 2, and in combination with Psalm 72, provides a transition to Book 3, whose historical setting is the Babylonian exile.

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