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Holy Week · Year A

Monday of Holy Week

The Anointing in Bethany (Salvningen i Betania), Malthe Engelsted
The Anointing in Bethany (Salvningen i Betania), Malthe Engelsted, 1894–1904Wikimedia Commons (auction record, Bruun Rasmussen)
A Danish painting of the anointing, with the woman at Christ's feet and the room's attention already turning against her.The house was filled with the fragrance of the perfume. Leave her alone.Malthe EngelstedA Danish painter of religious and genre subjects, trained at the Copenhagen academy.Wikimedia Commons (auction record, Bruun Rasmussen)In private hands; the painting is known from an auction record.Wikimedia Commons (auction record, Bruun Rasmussen)

Overview & Insights

“Leave her alone, so that she may keep it for the day of my burial.” (John 12:7)

For the third time in John’s Gospel, the Passover is near (v. 55; cf. 2:13; 6:4), and for the second and last time (cf. 2:13), Jesus travels to Jerusalem to keep the festival. The early visit to Jerusalem involving the cleansing of the temple (2:13–22) had given the impression that Jesus’ Passion was about to begin, but it did not. Now the Passion is soon to begin, and the narrator creates an atmosphere of expectancy for his story. He does not immediately state that “Jesus went up to Jerusalem” (2:13), but says that many (v. 55) did so, and that when they arrived, they looked for Jesus, asking What do you think? Isn‘t he coming to the Feast at all? (v. 56). Jesus first returns to Bethany (12:1), and then triumphantly enters Jerusalem (12:12–19). The suspense builds as the Passover draws ever closer: almost time for (11:55), six days before (12:1), “the next day” (i.e., five days before, 12:12), “just before” (13:1).

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