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Epiphany Season · Year A

Presentation of the Lord

The Presentation at the Temple, Ambrogio Lorenzetti
The Presentation at the Temple, Ambrogio Lorenzetti, 1342Uffizi Gallery, Florence
A Sienese altarpiece of unusual architectural ambition, with the temple drawn in a deep vaulted perspective fifty years before Florence claimed to have invented it.It is the reading: Simeon, Anna, the two turtledoves, and an old man finally allowed to go.Ambrogio LorenzettiA Sienese painter, brother of Pietro, whose frescoes of good and bad government are the first great secular paintings in Europe.Uffizi Gallery, FlorenceBuilt as Medici offices, hence the name, and turned over to the family's art collection, which was left to the city on condition it never leave.Uffizi Gallery, Florence

Overview & Insights

“My eyes have seen your salvation, a light for revelation to the Gentiles.” (Luke 2:30-32)

This scene completes the account of Jesus’s infancy. His circumcision and naming echo those of John in 1:59–63, but, as with the account of his birth, the subsequent incidents are unique, and they lift the reader’s expectations and theological understanding to a higher level. This scene provides the setting for the third of Luke’s canticles in chapters 1–2, Simeon’s song of praise, the Nunc Dimittis. This song, with its explicit recognition that Jesus is to be the Savior of the world, not just of the Jews, brings into the open a theme that so far has been only hinted at.

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