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Epiphany Season · Year A

Presentation of the Lord

The Presentation at the Temple, Andrea Mantegna
The Presentation at the Temple, Andrea Mantegna, c. 1454Gemäldegalerie, Berlin
A close half-length group pressed against a painted marble frame, so the figures seem to lean out of it. The two at the edges are probably Mantegna and his wife.It is the reading: the forty days completed, the child brought up, and Simeon waiting.Andrea MantegnaA Paduan painter obsessed with Roman antiquity and with foreshortening, who painted stone as if he had quarried it himself.Gemäldegalerie, BerlinBerlin's old-master gallery, with one of the great collections of European painting before 1800, rebuilt after the division and reunification of the city.Gemäldegalerie, Berlin

Overview & Insights

“My eyes have seen your salvation, a light for revelation to the Gentiles.” (Luke 2:30-32)

This scene completes the account of Jesus’s infancy. His circumcision and naming echo those of John in 1:59–63, but, as with the account of his birth, the subsequent incidents are unique, and they lift the reader’s expectations and theological understanding to a higher level. This scene provides the setting for the third of Luke’s canticles in chapters 1–2, Simeon’s song of praise, the Nunc Dimittis. This song, with its explicit recognition that Jesus is to be the Savior of the world, not just of the Jews, brings into the open a theme that so far has been only hinted at.

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Take it further: Luke 2:22-40 or Luke 2:22-32

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