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Epiphany Season · Year A

Baptism of the Lord

The Baptism of Christ, Andrea del Verrocchio and Leonardo da Vinci
The Baptism of Christ, Andrea del Verrocchio and Leonardo da Vinci, c. 1475Uffizi Gallery, Florence
Verrocchio's workshop picture, with the kneeling angel at the left painted by his young apprentice Leonardo. Vasari says Verrocchio gave up painting after seeing it.It is the baptism, and it is also the moment one painter realised he had been overtaken.Andrea del Verrocchio and Leonardo da VinciVerrocchio ran the Florentine workshop that trained Leonardo, Perugino and probably Botticelli; here master and pupil are on the same panel.Uffizi Gallery, FlorenceBuilt as Medici offices, hence the name, and turned over to the family's art collection, which was left to the city on condition it never leave.Uffizi Gallery, Florence

Overview & Insights

“This is my beloved Son, with whom I am well pleased.” (Matthew 3:17)

Having narrated Jesus’ birth, Matthew fast-forwards to the events leading up to Jesus’ public ministry, including Jesus’ baptism by John (chap. 3). Matthew indicates that John the Baptist’s ministry prepares for that of Jesus (3:3; cf. Isa. 40:3) and also resonates with Jesus’ ministry, as themes of repentance, warnings of judgment, and Gentile inclusion in the coming kingdom of God resound. Jesus as God’s son has already been introduced at 2:15, where Jesus’ sonship is compared to that of Israel’s (“Out of Egypt I called my son”). Now the motif of Jesus as the faithful Son of God is highlighted at his baptism (3:13–17) and will be contrasted with Israel’s unfaithfulness in the temptation narrative that follows (chap. 4).

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