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Trinity/After Pentecost · The Third Sunday after Trinity

Luke 15:11-32

A Father and Two Sons

The Return of the Prodigal Son, Pompeo Batoni
The Return of the Prodigal Son, Pompeo Batoni, 1773Kunsthistorisches Museum, Vienna
Batoni reduces the parable to two figures in a close embrace against a dark ground, with none of the household and none of the pigs.Romans 5 says that while we were still sinners Christ died for us, and the painting is that sentence with the arms around it.Pompeo BatoniThe leading painter in Rome in his generation, who made a living painting English aristocrats on the Grand Tour against classical ruins.Kunsthistorisches Museum, ViennaThe Habsburg collection, assembled over four centuries and housed in a purpose-built palace on the Ringstrasse since 1891.Kunsthistorisches Museum, Vienna

Overview & Insights

“This my son was dead, and is alive again; he was lost, and is found.” (Luke 15:24)

This is the third and longest of the parables Luke groups in chapter 15, all of them answers to the complaint of 15:1-2 that Jesus eats with sinners. The younger son’s request treats his father as already dead, and the word Luke uses for the property divided, bios, is also the word for life. The descent is measured in stages, famine, hired work for a gentile, and finally the pods fed to pigs, an ending that marks the loss of everything that made him recognizable as an Israelite. The father’s running is undignified for a man of standing, and it happens before any speech of repentance is completed. Then the parable turns, and the elder son’s protest puts the original audience back on stage; the story does not resolve it. It closes outside the house, with the father still pleading and the refrain of death and life repeated (v. 32).

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