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Holy Week · Palm Sunday (Sunday of the Passion) · Year C

Luke 23:1-56

Certainly This Man Was Innocent

The Crucifixion (predella of the San Zeno Altarpiece), Andrea Mantegna
The Crucifixion (predella of the San Zeno Altarpiece), Andrea Mantegna, 1457–1460Musée du Louvre, Paris
Mantegna sets the three crosses on a paved rock platform cut like masonry, with the soldiers dicing at the foot and Jerusalem laid out behind.Today you will be with me in Paradise: the reading is the exchange with the thief, and Mantegna painted all three crosses, which not everyone does.Andrea MantegnaA Paduan painter obsessed with Roman antiquity and with foreshortening, who painted stone as if he had quarried it himself.Musée du Louvre, ParisA royal palace turned public museum by the Revolution in 1793, on the principle that what the king had owned now belonged to everyone.Musée du Louvre, Paris

Overview & Insights

“Certainly this man was innocent!” (Luke 23:47)

The shorter form begins at the Roman trial, and its organizing theme is legal innocence. Pilate states three times that he finds no guilt (vv. 4, 14 and 22), Herod sends the prisoner back with nothing to add, and one of the two men crucified alongside him returns the same verdict from his own cross (v. 41). That is what makes the centurion’s line at verse 47 significant: where Mark has a confession of divine sonship, Luke reports the word dikaios, righteous or innocent, completing the chain of testimony. The address to the daughters of Jerusalem (vv. 27 to 31) belongs to this Gospel alone and quotes Hosea 10:8 at verse 30, binding the cross to the city’s coming siege. The account ends with Joseph of Arimathea, the women marking where the body was laid, and their rest on the sabbath according to the commandment.

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