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Holy Week · Palm Sunday (Sunday of the Passion) · Year C

Deuteronomy 32:36-39

I Kill and I Make Alive

Moses's Testament and Death, Luca Signorelli
Moses's Testament and Death, Luca Signorelli, 1481–82Sistine Chapel, Vatican
On the Sistine wall. Several episodes at once: Moses hands over to Joshua, reads the law to the people, and is shown the land he will not enter.The Lord will vindicate his people and have compassion on his servants: the reading is from the last song Moses sang before this scene.Luca SignorelliAn Umbrian painter obsessed with the nude figure in violent motion, whose Orvieto frescoes Michelangelo studied closely.Sistine Chapel, VaticanThe pope's chapel, where conclaves are held, decorated by Perugino, Botticelli and Ghirlandaio before Michelangelo was ever asked.Sistine Chapel, Vatican

Overview & Insights

“I kill and I make alive; I wound and I heal.” (Deuteronomy 32:39)

The Song of Moses (32:1-43) is presented as a witness against Israel (31:19) and follows the pattern of a covenant lawsuit, with heaven and earth summoned, benefits recited, infidelity charged and sentence passed. These verses stand at the turn, where judgment on Israel gives way to judgment on the nations that carried it out, since their boast that their own hand won the victory (v. 27) cannot be allowed to stand. The taunt of verse 37, where are their gods, is aimed at the objects of Israel’s own trust, the rock in which they sheltered. Verse 39 is the theological summit of the poem, and its formula, I, even I, am he, is the self-identification that Isaiah 43:10-13 and the absolute I am sayings of John’s Gospel take up. Life and death, wounding and healing are claimed by one hand, which is the claim Holy Week tests.

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