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Holy Week · Palm Sunday (Sunday of the Passion) · Year C

Luke 22:1-23:56

The Passion According to Luke

Christ on the Cross, Diego Velázquez
Christ on the Cross, Diego Velázquez, 1632Museo del Prado, Madrid
The body alone against a black ground, the head fallen forward so the hair hides half the face, and nothing else in the picture at all.He set it aside, nailing it to the cross: Colossians 2 is about what was cancelled there, and the painting removes everything except the fact of it.Diego VelázquezCourt painter to Philip IV of Spain (1599-1660), and the one most often called a painter's painter. He painted less than most of his rank and left almost nothing unfinished.Museo del Prado, MadridSpain's national collection, formed from what the Spanish crown had bought over three centuries, which is why its Titians and Rubenses are unmatched.Museo del Prado, Madrid

Overview & Insights

“Father, if you are willing, remove this cup from me. Nevertheless, not my will, but yours, be done.” (Luke 22:42)

Luke’s passion narrative is the most distinctive of the three synoptic accounts, and its differences run consistently in one direction. Satan is named at the outset (22:3) and the arrest is called the hour of the power of darkness (22:53); the disciples are handled more gently than in Mark; and Jesus goes on acting as benefactor even under arrest, healing the ear of the man struck in the garden and looking at Peter after the denial (22:51 and 22:61). Two celebrated passages in this long form are textually uncertain, the second cup with the words about the new covenant (22:19b and 20) and the angel with the sweat like drops of blood (22:43 and 44), both missing from important early witnesses. Luke alone sends Jesus to Herod, has him address the daughters of Jerusalem, and closes with a prayer of trust.

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