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Advent · Fourth Sunday in Advent · Year B

Psalm 89:1-5 (19-29)

Mary’s Song

King David Playing the Harp, Gerard van Honthorst
King David Playing the Harp, Gerard van Honthorst, 1622Centraal Museum, Utrecht
Honthorst learned his candlelight in Rome from Caravaggio's followers, and the Dutch called him Gherardo delle Notti for it. Here the light comes off the harp itself.I will sing of your steadfast love, O Lord, for ever; with my mouth I will proclaim your faithfulness to all generations.Gerard van HonthorstA Utrecht painter (1592-1656) who went to Rome, learned Caravaggio's night lighting there, and brought it home. The Italians called him Gherardo delle Notti, Gerard of the Nights.Centraal Museum, UtrechtThe oldest municipal museum in the Netherlands, and the home of the Utrecht Caravaggisti who brought Italian night-lighting north.Centraal Museum, Utrecht

Overview & Insights

“My soul magnifies the Lord, and my spirit rejoices in God my Savior.” (Luke 1:46-47)

In our first two sections of Luke’s text the angel Gabriel has announced two births to mothers who should not have been expecting a baby (one too old, the other not yet married). Before the births of John and Jesus are narrated, the two families are brought together, and we have in this domestic scene an opportunity to reflect on the significance of these two special people. The unborn John and his mother recognize the superior status of Mary’s son, and Mary speaks with delight and wonder of the incredible honor of being the mother of God’s Son. The paradoxical values expressed in Mary’s song prepare the reader for the repeated challenges to the status quo that will mark Jesus’s ministry as this Gospel will describe it.

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Take it further: Psalm 89:1-5 (19-29)

Commentary

Background & Word Study

The Church Fathers

Questions preachers ask

What is the Magnificat?

Mary's song at the Visitation praises the God who lifts up the lowly and fills the hungry with good things, casting down the proud and the mighty. It is the church's evening song of the great reversal.

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