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Holy Week · Year B

Holy Saturday

The Entombment of Christ, Titian
The Entombment of Christ, Titian, 1559Museo del Prado, Madrid
A late Titian, almost all of it painted in dark reds and browns, with the body carried in a sheet and Joseph of Arimathea's face turned entirely into shadow.He took the body and laid it in his own new tomb: the reading is the burial, which is the part the creed insists on.TitianThe dominant painter of sixteenth-century Venice (c. 1488-1576), who worked into his eighties and whose late manner, applied with fingers as much as brushes, startled even his admirers.Museo del Prado, MadridSpain's national collection, formed from what the Spanish crown had bought over three centuries, which is why its Titians and Rubenses are unmatched.Museo del Prado, Madrid

Overview & Insights

“Joseph took the body and wrapped it in a clean linen shroud and laid it in his own new tomb.” (Matthew 27:59-60)

The crucifixion narrative (27:27–50) brings together various christological threads of Matthew’s Gospel. The kingly (messianic) identity of Jesus is emphasized (27:29, 37, 40, 42, 43) and interpreted through the lens of Psalm 22 (27:31, 35, 39, 41, 46). The resulting portrait is a Messiah who willingly suffers for the sake of doing the will of God. Jesus’ death also proves to be of cosmic significance, bringing life to humanity (27:52). There is great irony in this passage. Although those who crucify and taunt Jesus assume that God will not rescue him (27:42–43, 49), and though that assumption seems to be confirmed by Jesus’ death (27:50), they are quite wrong. Not only will Jesus be vindicated in his resurrection (28:1–10), but also it is his death that will enact life and salvation for others (1:21; 20:28).

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Take it further: Matthew 27:57-66 or John 19:38-42

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How is Jesus buried?

Joseph of Arimathea lays Jesus in a new tomb and rolls a great stone across it; the women keep watch, and a guard is set, on the day of rest before the Resurrection.

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