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Christmas Season · Year B

Holy Name of Jesus

Adoration of the Shepherds, Gerard van Honthorst
Adoration of the Shepherds, Gerard van Honthorst, 1622Wallraf-Richartz Museum, Cologne
The whole scene lit by the child himself, with the shepherds leaning in out of the dark. Honthorst was nicknamed Gherardo delle Notti in Italy for exactly this.Luke has the shepherds arrive in the middle of the night and find the thing they were told about, and the painting makes the child the only light source.Gerard van HonthorstA Utrecht painter (1592-1656) who went to Rome, learned Caravaggio's night lighting there, and brought it home. The Italians called him Gherardo delle Notti, Gerard of the Nights.Wallraf-Richartz Museum, CologneCologne's oldest museum, founded on a canon's bequest in 1824, strongest in medieval Cologne painting.Wallraf-Richartz Museum, Cologne

Overview & Insights

“Let us go over to Bethlehem and see this thing that has happened.” (Luke 2:15)

With this scene, the fulfillment of the angel Gabriel’s announcements (1:11–20, 26–37) is complete. Both John and Jesus have been unexpectedly conceived, celebrated in prophetic songs, and born in remarkable circumstances. Each is already revealed as having a central role in God’s plan of salvation, but the angel’s words now emphasize that the good news is centered on the Messiah rather than on his forerunner.

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Take it further: Luke 2:15-21

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What do the shepherds do?

They hurry to find Mary, Joseph, and the child in the manger, then return glorifying and praising God; on the eighth day the child is named Jesus, as the angel had said.

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