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Lent · Fifth Sunday in Lent · Year A

Psalm 130

Out of the Depths

The Descent of Christ into Limbo, Bartolome Bermejo
The Descent of Christ into Limbo, Bartolome Bermejo, c. 1475Museu Nacional d'Art de Catalunya, Barcelona (PD-Art)
A Spanish panel of the harrowing, with Christ pulling Adam and Eve out of a cave full of waiting figures, painted with Netherlandish precision.Out of the depths I cry to you, O Lord. Psalm 130 is prayed from the bottom, and this is the bottom being opened.Bartolome BermejoA Spanish painter of Cordoban origin who mastered the Netherlandish oil technique, and who may have been a converso.Museu Nacional d'Art de Catalunya, Barcelona (PD-Art)Holds the greatest collection of Romanesque wall painting anywhere, much of it removed from remote Pyrenean churches in the 1920s.Museu Nacional d'Art de Catalunya, Barcelona (PD-Art)

Overview & Insights

“Out of the depths I cry to you, O Lord!” (Psalm 130:1)

In this psalm of ascent, we see both the individual (“I” in vv. 1–2, 5–6) and the corporate body represented (Israel in vv. 7–8). This duality makes best sense if we imagine a liturgist leading a congregation in worship. Here we see illustrated the educative role of liturgy: in verses 1–6, the liturgist exemplifies a humble and expectant piety, first in prayer to God (vv. 1–4) and then in testimony to the congregation (vv. 5–6). Moreover, in verses 7–8, he exhorts them to follow this model. Verse 6 indicates that a night performance of the psalm is particularly appropriate, though it may simply employ an image to convey a sense of longing.

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Commentary

Background & Word Study

The Church Fathers

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