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Advent · Fourth Sunday in Advent · Year A

Psalm 24

Lift Up Your Heads, O Gates

The Anastasis (Harrowing of Hell), Byzantine master, Chora Church
The Anastasis (Harrowing of Hell), Byzantine master, Chora Church, c. 1315–1321Chora Church (Kariye), Istanbul
The apse fresco of the Chora in Constantinople. Christ, in white, hauls Adam and Eve bodily out of their tombs by the wrists while the gates of hell lie broken in pieces beneath him.Psalm 24 asks for the ancient doors to be lifted so the King of glory may come in, and this is a painting of the doors coming off.Chora Church (Kariye), IstanbulA Byzantine church turned mosque, then museum, then mosque again, holding the finest late Byzantine mosaics and frescoes that survive.Chora Church (Kariye), Istanbul

Overview & Insights

“Lift up your heads, O gates! … that the King of glory may come in.” (Psalm 24:7)

Psalm 24 falls into three parts that were probably not composed together: a creation confession (vv. 1 and 2), an entrance rite (vv. 3 to 6) and a processional dialogue at the gates (vv. 7 to 10). The middle section belongs to a small group of texts, with Psalm 15 and Isaiah 33:14-16, that raise the question of who may enter the sanctuary and answer it in ethical rather than ritual terms, clean hands and a pure heart. The last section is antiphonal, a challenge and a response given twice, and the title it uses, the King of glory, occurs in no other psalm. The scene of ancient doors lifting has often been connected with the bringing of the ark into Jerusalem (2 Samuel 6). Read on the last Sunday of Advent, the gate question is put to a city rather than to a soul.

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