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Advent · Year A

Fourth Sunday in Advent

The Dream of Saint Joseph, Philippe de Champaigne
The Dream of Saint Joseph, Philippe de Champaigne, c. 1642–43The National Gallery, London
Joseph sleeps in his chair with his carpenter’s tools at his feet; an angel swoops down and points upward, while Mary kneels at her prayer desk behind him.Just when he had resolved to do this, an angel of the Lord appeared to him in a dream and said, “Joseph, son of David, do not be afraid to take Mary as your wife, for the child conceived in her is from the Holy Spirit.”Philippe de ChampaigneA Brussels-born painter who worked in Paris for Cardinal Richelieu and the queen, known for calm, exact religious pictures.The National Gallery, LondonFounded in 1824 with thirty-eight pictures bought from a banker’s estate, and still free to enter, as its founders insisted.The National Gallery, London

Overview & Insights

“You shall call his name Jesus, for he will save his people from their sins.” (Matthew 1:21)

Matthew tells the nativity from Joseph’s side and in legal terms. Betrothal in this period was binding, which is why verse 19 can speak of a private divorce, and why Joseph’s being righteous and yet unwilling to expose her is presented as a tension rather than a contradiction. Revelation reaches him in dreams four times in the first two chapters, a pattern that recalls the other Joseph of Genesis 37 to 50. Two names are given to the child and both are interpreted: Jesus, a common name in the period, is glossed by its Hebrew root, the Lord saves, and applied to sins rather than enemies (v. 21), while Immanuel arrives with the citation of Isaiah 7:14 (v. 23). Verse 25 records the naming as Joseph’s own act, which is how a legal father takes a son into the line just traced.

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