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Lenten Season · Fifth Sunday of Lent · Year B

If Third Scrutiny of the Elect: John 11:1-45 or John 11:3-7, 17, 20-27, 33b-45

The Death of Lazarus

The Raising of Lazarus, Rembrandt van Rijn
The Raising of Lazarus, Rembrandt van Rijn, c. 1630–1632Los Angeles County Museum of Art, Los Angeles
An early Rembrandt. Christ's arm is thrown straight up, the mourners recoil, and Lazarus is only beginning to rise out of a hole in the floor.Lazarus, come out! The painting is the instant of the command rather than the reunion.Rembrandt van RijnRembrandt (1606-1669) painted scripture as if it had happened in a room he had been in, and returned to the same stories across forty years, changing his mind about them in public.Los Angeles County Museum of Art, Los AngelesThe largest art museum in the western United States, built from scratch in the 1960s and still rebuilding itself.Los Angeles County Museum of Art, Los Angeles

Overview & Insights

“I am the resurrection and the life. Whoever believes in me, though he die, yet shall he live.” (John 11:25)

Jesus’ mysterious escape (v. 39) ends the confrontation at Solomon’s Colonnade in the temple at the Feast of Dedication (cf. v. 22), just as his earlier escape had ended the confrontation in the temple at the Feast of Tabernacles (cf. 8:59). This time he leaves Jerusalem itself, the scene of his activities since 7:14, and returns to Bethany on the other side of the Jordan, where he has spent time with John the Baptist and begun to gather a group of disciples (vv. 40–42; cf. 1:19–51; 3:26). The earlier narrative implied that Jesus had a place to stay in Bethany (1:38–39), and it was there perhaps that he stayed again (v. 40).

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Take it further: If Third Scrutiny of the Elect: John 11:1-45 or John 11:3-7, 17, 20-27, 33b-45

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Why is the raising of Lazarus read near the end of Lent?

Calling Lazarus from the tomb, Jesus reveals himself as the resurrection and the life on the eve of his own death and rising.

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