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Lenten Season · Year A

Second Sunday of Lent

The Transfiguration (San Marco, cell 6), Fra Angelico
The Transfiguration (San Marco, cell 6), Fra Angelico, c. 1440–1442Museo di San Marco, Florence
A fresco in a friar's cell. Christ stands with his arms straight out in a plain white almond of light, so the figure already reads as a crucifixion.This is my Son, the Beloved; with him I am well pleased; listen to him.Fra AngelicoA Dominican friar who painted, canonised in 1982, whose work was made for the cells and corridors his brothers lived in.Museo di San Marco, FlorenceThe Dominican friary where Fra Angelico painted a fresco in every cell, left in place, so the pictures are still in the rooms they were made for.Museo di San Marco, Florence

Overview & Insights

“And he was transfigured before them, and his face shone like the sun.” (Matthew 17:2)

Matthew’s account of the transfiguration, following directly on the heels of Jesus’ first passion prediction, highlights Jesus’ (future) resurrection glory. As Peter has been prominent in the confession of Jesus as Messiah in 16:16–20, so here too he plays the key, supporting role in this narrative (emphasis on Peter in 4:18–22; 8:14–15; 14:22–32; 17:24–27; 26:69–75). Peter is the recipient of the divine words affirming Jesus as the beloved Son of God (17:5; cf. 3:17). Jesus, in this passage, clarifies his relationship to John the Baptist (see 4:12; 11:2–5, 11–19; 14:1–12). Although John is the forerunner of Jesus the Messiah, they are united in the persecution and suffering that they endure to bring God’s kingdom to this world (17:12).

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