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Lenten Season · Palm Sunday of the Passion of the Lord: Mass · Year B

Isaiah 50:4-7

Israel’s Sin and the Servant’s Obedience

The Flagellation of Our Lord Jesus Christ, William-Adolphe Bouguereau
The Flagellation of Our Lord Jesus Christ, William-Adolphe Bouguereau, 1880Musée des Beaux-Arts, La Rochelle
Bouguereau, usually the painter of smooth and agreeable things, made this one unflinching: the body pulled taut against the column while a crowd presses in to watch.Isaiah 50 says I gave my back to those who struck me, and this is the verse painted plainly.William-Adolphe BouguereauA French academic painter (1825-1905), enormously successful in his lifetime, dismissed for most of the twentieth century, and taken seriously again for his sheer technical command.Musée des Beaux-Arts, La RochelleA small municipal collection in an eighteenth-century bishop's palace on the Atlantic coast.Musée des Beaux-Arts, La Rochelle

Overview & Insights

“I gave my back to those who strike, and my cheeks to those who pull out the beard.” (Isaiah 50:6)

In 50:4 the subject suddenly changes again—in two senses. The grammatical subject is once again a human “I” rather than a divine “I,” and the thematic subject is the pressure upon this human “I.” In both respects the passage parallels 49:1–6, and it will emerge that 50:4–52:12 forms a sequence parallel to 49:1–50:4, analogous to double sequences we have noted earlier in chapters 40–55. The arrangement of sections is not as tightly parallel as in earlier instances, but the parallelism again means that the second sequence develops issues raised in the first. Here, as there, that involves discussion of the role of Yahweh’s servant (50:4–11 as 49:1–6), but here the destiny of Zion and the way the destiny of the Babylonian community relates to it (51:1–52:12 as 49:7–50:3) receive more attention.

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Commentary

Background & Word Study

The Church Fathers

Questions preachers ask

How does the Servant respond to suffering?

Given the tongue of a teacher, the obedient Servant does not turn back but sets his face like flint, trusting the God who helps him, an image of Christ in his Passion.

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