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Lenten Season · Year A

Good Friday

Christ on the Cross, Rembrandt van Rijn
Christ on the Cross, Rembrandt van Rijn, 1631
A small early canvas, the body lit from the front against total darkness, the head thrown back and the mouth open in the middle of a cry.These readings are the crucifixion itself, and Rembrandt painted the sound of it rather than the composure.Rembrandt van RijnRembrandt (1606-1669) painted scripture as if it had happened in a room he had been in, and returned to the same stories across forty years, changing his mind about them in public.

Overview & Insights

“Shall I not drink the cup that the Father has given me?” (John 18:11)

Jesus’ exit with his disciples from the place where they had eaten supper (v. 1) corresponds to the notice in Mark (14:26) that “when they had sung a hymn, they went out” to Gethsemane and the Mount of Olives. Though John’s Gospel does not give the name “Gethsemane” to the place where they stopped, and though only John’s Gospel calls it a “garden” (RSV, GNB; Gr.: kēpos ), it is clearly the same place and the same occasion (the NIV translation olive grove is based on the assumption that it is indeed “Gethsemane” [known as the place of an olive press]. Perhaps because of the long prayer in chapter 17, there is no prayer in the garden, no exhortation to the disciples to stay awake and pray, and consequently no failure on their part. Attention is centered entirely on Jesus’ arrest by the Roman soldiers and the temple guards.

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Take it further: John 18:1–19:42

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